Nikko Toshogu Shrine, as a "zoo"(19)

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Komainu (guardian dogs) on the approach to the inner sanctuary

This is such an important guardian dog in the history of komainu that no fan of komainu would be able to start without seeing it (designated as a National Important Cultural Property). It is said to be the oldest stone-built guardian dog in eastern Japan for which the date of construction is known, but it is probably not "the oldest" because there must be older ones than this one that are not inscribed with the year of their construction.
The "oldest" stone komainu in eastern Japan for which the date of production is almost entirely known is probably the ones dedicated to the Ninomaru Tousho-sha shrine at Edo Castle in 1637, now at the Senba Toushogu shrine in Kawagoe, Saitama Prefecture.
The komainu of Kono Shrine in Kyoto is probably older than this, but while the komainu of Kono Shrine and the wooden komainu of Daiho Shrine, which is said to have been made in the Kamakura period, became famous and many copies were made, there are almost no copies of this magnificent Nikko Toshogu komainu. This is because it was located in a place where only the shoguns were allowed to enter.




The back side of the "A" (open-mouth) image statue. The tail is distinctive.



The "Un" (closed mouth) statue has a horn and follows the form of "a lion and a guardian dog" which means each is a different creature.








The reason why these komainu are so valuable is that while most of the decorative designs and sculptures at Toshogu Shrine represent an admiration for continental culture, in short, Chinese culture, these komainu are "Japanese" in nature.
The Japanese culture of komainu is derived from the Chinese lion statue, but the Japanese komainu has been rearranged with the asymmetrical aesthetics of lion and komainu. The shape is also quite different from that of the Chinese lion.
In this sense, this pair of komainu is unique among the Toshogu shrines. Its solitary appearance is also inspiring, as it has remained outdoors for a long time, guarding Shogun Tokugawa Ieyasu's mausoleum without being seen by the public.
Most people, however, pass by without showing any interest. What a waste!
The World of KOMAINU, unique Japanese Sculpture Art. It developed along a different artistic and cultural plane in Japan.

Hina Dolls of Yoshiko Suzuki and Ikuko Suzuki: A New World of Hina Dolls that Combines the Traditional Japanese Craft of "Kimekomi" with Artistry


Hina dolls are glittering dolls modeled after aristocratic couples of the olden days that are displayed during the Girls' Festival (Hinamatsuri) on March 3 in Japan. In Japan today, dolls with costumes called “Kokinbina,” which became popular after the Showa period (1926-1989), are commonly used.
But there was a doll artist who sought artistic expression in these dolls. Yoshiko Suzuki (1928-2008) is a a second-generation pupil of Goyo Hirata (1903-1981), a doll artist who was recognized as a living national treasure. In his later years, Goyo Hirata established the highly artistic Japanese doll called “Kimekomi Costume Doll."
By incorporating the traditional technique of “kimekomi costume dolls” into Hina dolls, Yoshiko Suzuki has opened up a new world of Hina dolls that are different from ordinary Hina dolls in that they are both artistic and prestigious. She founded a group of creative hina doll artists called “Kinosuzukai” with her pupils who had gathered together in admiration of Yoshiko Suzuki.
Today, her daughter-in-law, Ikuko Suzuki, is the head of the group and continues to produce Hina dolls using the kimekomi technique started by Yoshiko. These supreme dolls are made using the “Kimekomi costume doll technique,” which exists only in a few places in the world. The difference between these dolls and ordinary dolls is obvious in this photo collection.

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Komainu goods
Click here to see various komainu goods from T-shirts to smartphone cases.